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2018-2019 China green landscape painting Yearbook exhibition will be held soon
Author:xiaoyu   Add time:2022-04-06 11:46   Browse:166

 

2018-2019 China green landscape painting Yearbook exhibition will be held soon

 

Venue:Nanxi academy art museum

 

Opening time of the exhibition:2019.2.9/14:00

 

          Green landscape painting

 

Green landscape painting is a kind of Chinese landscape painting. Landscape painting with mineral stone green and stone green as the main color. There are many kinds of painting methods, such as big green, small green, splash color and so on.

 

The big green landscape was initially outlined, filled with color, less textured pen, thick coloring and strong decoration. Zhan Ziqian, Li sixun, Li Zhaodao and Wang Ximeng are representative painters.

 

 

Because the green landscape painting uses lapis lazuli, malachite, turquoise, cinnabar, shell and other minerals as pigments, it can not fade for thousands of years, but also has the smell of wealth, so it has always been loved by princes and nobles.

 

 

The small green landscape is covered with green on the basis of light color of ink. Qian Xuan in the Yuan Dynasty and Wen Zhengming in the Ming Dynasty are the representatives.

 

 

 

Exhibition Preface

 

Green landscape painting is an ancient kind of painting, which is older than ink painting; It is also a very active kind of contemporary painting, which is equal to the contemporary "ink art".

       

It is like the millennium old tree at the entrance of the village. Its trunk is old, but its branches and leaves are fresh and tender. Inheritance, innovation and development are the most unique longevity secret of the ancient tree of green landscape from the Wei and Jin Dynasties to today.

 

 

 

In the Tang, song, yuan and Ming Dynasties, when ink can also show colorful effects, and when the color of flower and bird painting is more mellow, the green landscape painting that has always been good at color must be unbearable. In particular, when generations of "new" people come on stage to practice their favorite green landscape paintings, they are bound to absorb the ancient and modern, bypass the analogy, meet the left and right, and depict the green landscape paintings of "me" in order to shine through the future. For example, the transformation of Tang Er Li into Zhan Ziqian, the transformation of song Wang Shen and Zhao Boju into Tang Er Li, the transformation of Yuan Qian Xuan and Zhao Mengfu into song Wang and Zhao, the transformation of Ming Wen Zheng Ming into yuan Qian and Zhao, and so on.

 

 

 

In contemporary times, when the three alum and nine dyes have reached the realm of change, when all kinds of silk have been trained to have no new ideas, and when all kinds of painting categories invade each other's fields, the innovation of green landscape painting is inevitable.

       

Compared with the previous generation, contemporary green landscape painting is a more thorough "let go" movement. On the premise of ensuring the essence of "green color" and "landscape painting", painters can completely let go of themselves. This is not only the historical necessity of green landscape painting, but also its characteristics of the times.

 

 

 

Therefore, we must look at green landscape painting from the perspective of inheritance and innovation. Those who are entangled in "ancient law" and "ancient meaning" will face a severe test. Anyone who can keenly capture this change may be remembered in the future. The Yearbook of green landscape painting is one of them.

 

 

Lucid waters and lush mountains

 

The "Yearbook of Chinese green landscape painting" was held in Yongjia mountain village, Zhejiang Province, China, which is of great significance. First, the contemporary interpretation of ancient paintings by contemporary artists held in Chinese villages after the green landscape exhibition held by the Palace Museum;

 

 

Second, it confirms the discourse that "green water and green mountains are golden mountains and silver mountains". Nanxi is the representative of Chinese farming and reading culture. Presenting the beauty of Chinese idyllic mountain villages through the expression of green landscape painting is an important link in rural development - cultural revitalization of the countryside.

 

 

The third is to sort out the current development state of green landscape through the annual "Yearbook of Chinese green landscape painting", and also think about the future development direction.

 

 

 

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